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89837 / Daten zuletzt bearbeitet von: SJO allgemein
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CD:  Jimmy Dorsey — Original Studo Radio Transcriptions
Infobild
Archiv-Objekte
CD-14613
Label: Swingfactory
Label-Nummer / Spuren: SWCD 66612
Tonträger: CD
Aufnahmedatum: 1939-49
Land: US
Genre   
Jazz
 
Musiker:
NameLandInstr.
Jimmy DorseyUSld, cl,
Jimmy Dorsey OrchestraUSorch,
 
Tracks / Sessions:
1-1Jimmy Dorsey — Contrast Theme
1-2Jimmy Dorsey — Shine On Harvest Moon
1-3Jimmy Dorsey — Imagination
1-4Jimmy Dorsey — Blue Lou
1-5Jimmy Dorsey — Just For A Thrill
1-6Jimmy Dorsey — Fools Rush In
1-7Jimmy Dorsey — Carolina In The Morning
1-8Jimmy Dorsey — At Least You Could Say Hello
1-9Jimmy Dorsey — Moonlight On The River
1-10Jimmy Dorsey — I'm Stepping Out With Memory Tonight
1-11Jimmy Dorsey — Julia
1-12Jimmy Dorsey — Nearness Of You
1-13Jimmy Dorsey — Shoot The Meatballs To Me Dominick Boy
1-14Jimmy Dorsey — You, You Darlin'
1-15Jimmy Dorsey — Blueberry Hill
1-16Jimmy Dorsey — Fight Of The Jitterbug
1-17Jimmy Dorsey — Out Of Nowhere
1-18Jimmy Dorsey — In A Little Spanish Town
1-19Jimmy Dorsey — Tangerine
1-20Jimmy Dorsey — I Got Rhythm
1-21Jimmy Dorsey — Grand Central Getaway
1-22Jimmy Dorsey — Perfidia
1-23Jimmy Dorsey — Everywhere You Go
1-24Jimmy Dorsey — On The Alamo
1-25Jimmy Dorsey — After All
 
Beyond the delight that fans of Jimmy Dorsey should feel on hearing this extraordinary CD, the very same disc should evoke nothing but shame from the two major labels that control most of Jimmy Dorsey's output. That would be Universal and Sony who, between them, have issued far less on Dorsey than one gets on this CD from the European Disconforme label. The material here, 26 tracks drawn mostly from radio airchecks and other sources, sounds great and it shows off both sides of Dorsey's output, the "sweet" pop numbers that got him most of his chart action, and the jazzier instrumentals that gave him his rep in jazz circles. "Blue Lou" and the other instrumentals here show off a top-ranked swing band, while vocal numbers, variously featuring Bob Eberly, Helen O'Connell, Claire Hogan, and Kenny Martin, straddle the line between jazz and pop with an aplomb worthy of an acrobat. What puts this collection head-and-shoulders above other pirated airshot releases is the 24-bit remastering which, coupled with some careful de-noising, has yielded a CD that offers fidelity as fine any authorized release of studio masters from the same period is ever likely to present. The CD is also a tribute to the skills of the radio engineers from the original broadcast sources for these sides -- the mic'ing of the band is astonishingly good, as revealed by the remastering; what's more, even the treatment of the studio sides is superior to anything we've heard from Universal or Columbia and the paltry pickings they've issued from this library. The annotation is a little skimpy, but otherwise this is as fine a package on the older Dorsey brother as we've seen in decades, in any format. And it's a most-own CD for fans of Dorsey or of great swing music and big-band jazz.